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Pour les besoins d'un futur roman sur la communication avec l'au-delà, l'écrivain Charles Condomine (Charles Edwards) et sa femme Ruth (Janie Dee) invitent des amis, les Bradman, à dîner pour assister à une séance de spiritisme avec Madame Arcati (Angela Lansbury), médium de son état, qui, ils en sont sûrs, n'est pas plus extralucide qu'eux.

Interactive Theatre International presents… Faulty Towers The Dining Experience

Book now for the world’s longest running and most successful tribute to the BBC’s iconic sitcom in London's West End, the one-of-a-kind original that's internationally recognised as ‘outrageously funny’ (BroadwayBaby) and highly acclaimed by audiences and critics alike.  

Shelagh Delaney’s ground-breaking British classic A Taste of Honey returns to the West End for the first time in 60 years.

Directed by Bijan Sheibani (Barber Shop Chronicles) and designed by Hildegard Bechtler (Antony and Cleopatra), A Taste of Honey is a gritty depiction of working-class life in post-war Britain and an exhilarating portrayal of the vulnerabilities and strengths of the female spirit in a deprived and restless world. 

1934. A time-weathered guesthouse in the heartland of America. Only a song can shake off the dust for one group of wayward souls—and old dreams may hold the promise of new beginnings. As they pass in and out of each other’s lives, their stories awaken with passion, fury and extraordinary beauty. 

Reimagining the music of Bob Dylan as roof-raising ensemble pieces and soul-stirring solos, celebrated playwright Conor McPherson (The Weir, The Seafarer) writes and directs this heartbreaking and universal story about family and love. Hailed by the Observer as The ‘NO.1 THEATRE SHOW OF THE YEAR' audiences now have the chance once again to experience this “magnificent” (Standard), “astonishing” (Guardian) and “piercingly beautiful” (Independent) production brought vividly to life by an extraordinary company of actors and musicians.

YOU HAVE BEEN SUMMONED FOR JURY SERVICE...

Step inside the magnificent surroundings of London County Hall and experience the intensity and drama of Agatha Christie’s gripping story of justice, passion and betrayal in a unique courtroom setting.

Brought to life by a ground-breaking all-female creative team, this irresistible new hit features original music and lyrics by 6-time Grammy® nominee Sara Bareilles (Brave, Love Song), a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award® winner Diane Paulus (Pippin, Finding Neverland).

Based on the 1980 phenomenal pop culture film of the same name, Fame The Musical is the international smash hit sensation following the lives of students at New York’s High School For The Performing Arts as they navigate their way through the highs and lows, the romances and the heartbreaks and the ultimate elation of life. This bittersweet but uplifting triumph of a show explores the issues that confront many young people today: prejudice, identity, pride, literacy, sexuality, substance abuse and perseverance.

Featuring the Oscar-winning title song and a cast of outstanding dancers, singers, musicians and rappers as they transform from star struck pupils to superstars, Fame The Musical will indeed live forever.

& JULIET
THE MOST FAMOUS LOVE STORY OF ALL TIME. REMIXED.    

What if Juliet’s famous ending was really just her beginning? What if she decided to choose her own fate?

Join Juliet on this sensational journey of self-discovery and second chances, told through some of the most glittering pop anthems of the last three decades from legendary songwriter Max Martin, including …Baby One More Time, Since U Been Gone, Roar, Everybody (Backstreet's Back), Love Me Like You Do and Can’t Feel My Face, all brilliantly arranged by the Tony and Grammy Award-winning orchestrator Bill Sherman.

Don’t miss your last chance to see the critically acclaimed transfer of TOUCHING THE VOID in the West End.

Directed by the award-winning Tom Morris (War Horse) and based on Joe Simpson’s best-selling memoir turned BAFTA-winning film, TOUCHING THE VOID chart’s Joe Simpson’s and Simon Yates' struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes.

Opening to sensational reviews in the West End, David Greig’s thrilling adaptation take the audience on an epic adventure that asks how far you’d be willing to go to survive.

Life-affirming and often darkly funny, book now for the final few weeks and be part of the experience. Must end 29 February 2020.

‘Knox Oil will consider any price.’

‘I tell you what, Mister Mac, how about this: a dollar for every grain of sand in my hand?’

Ambitious Texan oil executive Mac MacIntyre arrives in Scotland on a mission to buy a small seaside village and replace it with a refinery. It’s the deal of a lifetime, but Mac soon finds that putting a price on this beautiful spot is more complicated than he bargained for. Before the locals get rich, they must decide what their home is worth.

The hit comedy film Local Hero takes to the stage as John Crowley (Brooklyn, The Goldfinch) directs a new musical adaptation by Bill Forsyth and David Greig (Dr. Seuss’s The Lorax) with music and songs by the legendary Mark Knopfler.

The Olivier Award nominated producers of 2017's ★★★★★ smash hit La bohème present a brand new Puccini double-bill Opera Undone: Tosca & La bohème

Radically distilled to sixty minutes each and sung in English, this revolutionary new production tears up the opera rule book for a whole new generation.

Experience two enthralling tales of love, heartbreak and deception as they've never been told before in an evening suitable for newcomers and diehard fans alike.

The future of Opera starts here.

It’s 1967. The Beatles are performing All You Need Is Love on global TV for the very first time. Kenneth and Sandra meet.

Love, Love, Love, charts one couple’s journey forty years from the era of free love to the beginning of the 21st Century. Smoking, drinking, affectionate and paranoid, Kenneth and Sandra build their life and family together in a time of increasing national prosperity, when the future is always better than the past.

Now they’re retired and their children grown, but why hasn’t it all worked out the way they thought?

What happens when the children you think you’ve done everything for, believe you haven’t done enough?

A family go to war over their personal politics in Mike Bartlett’s funny and scathing look at the opposing values of two very different generations.
 

An outrageously quirky comedy about imperialism, cultural appropriation and tea drinking.

Brighton, 1852. Sarah, an African girl adopted by Her Royal Highness Queen Victoria and brought up alongside royalty. After perfecting tea etiquette, Sarah is due to return to Africa. Will Sarah do as she’s told?

The Present. Sarah, a well-heeled middle-class black woman who lives with her husband and child in Cheshire. Their inquisitive white neighbours unexpectedly pay them a visit, armed with gluten-free muffins and some probing questions.

Ava is a twenty-something Londoner.  Following the death of her estranged father, she journeys to Iran in search of his past and her extended family.  

Exploring the rich culture and thriving art scene of this oft misunderstood country, Ava is swept into a world of raves, raids and illicit love, all whilst negotiating family politics, Tehran traffic and the morality police.

Based on real-life testimonials, this new play by Nadia Fall (Home, Dara) offers a tender and witty snapshot of modern life in Iran.

1981, South London. Thatcher’s Britain.
 
Jab. Double jab, cross. Jab, hook to body.
 
Leon and Troy are best mates trying to figure out their place in the world amid mounting unemployment and simmering racial tensions. After finding solace in Charlie’s gym, they start forging their path into the ruthless world of professional boxing.
 
Roy Williams’ bruising play examines what it was like to be a young black man in 1980s Britain and asks, how can you fight a system that’s desperate to see you fail?
 

Amélie The Musical, based on the much-loved, five-time Oscar®-nominated film, will transfer to the West End this Christmas following its current UK tour, and its sell-out season premiere at the Watermill in Newbury in April.

Starring French-Canadian stage and screen star Audrey Brisson as ‘Amélie Poulain’, and the original Watermill cast, this beloved story of an imaginative and shy romantic with a gift for helping others, in a vibrant re-conception with new orchestrations, has garnered critical and public acclaim and will play at The Other Palace from 29 Nov 2019 to 1 Feb 2020.

Amélie is the story of an astonishing young woman who lives quietly in the world, but loudly in her mind. She secretly improvises small, but extraordinary acts of kindness that bring happiness to those around her. But when a chance at love comes her way, Amélie realises that to find her own contentment she’ll have to risk everything and say what’s in her heart. Although times are hard for dreamers, Amélie is someone to believe in…

Don’t miss John Kani’s highly acclaimed play Kunene and the King marking the 25th anniversary of the end of apartheid with a strictly limited London run, following its premiere in Stratford-upon-Avon and a sold-out run in Cape Town. 

South Africa, 2019. Twenty-five years since the first post-apartheid democratic elections, two men from contrasting walks of life are thrust together to reflect on a quarter century of change. Jack Morris is a celebrated classical actor who’s just been given both a career-defining role and a life-changing diagnosis. Besides his age, Jack has seemingly little in common with his at-home nurse Lunga Kunene, but the two men soon discover their shared passion for Shakespeare, which ignites this ‘rich, raw and shattering head-to-head’ (The Times). 

The Donmar Warehouse’s Olivier Award-winning production of CITY OF ANGELS hits the West End!

A screenwriter with a movie to finish.

A private eye with a case to crack.

But nothing’s black and white when a dame is involved.

And does anyone stick to the script in this city?

This is Tinseltown. You gotta ask yourself: what’s real…and what’s reel…